In recent years, Carolina Bianchi has repeatedly shaken the foundations of the theater world. With the first two parts of her Cadela Força Trilogy, she drew attention to the gruesomeness of sexual violence and its consequences (The Bride and the Goodnight Cinderella), as well as the complexity of a critical perspective on the mechanisms of male fraternity woven into theater history (The Brotherhood).
For these first two chapters, the Brazilian theater maker has received numerous awards and international acclaim. She now presents the final part of the trilogy: Cadela Força Trilogy – Chapter III: A Cordial Light.
This performance is a consciously disproportionate composition of sketches, notebooks, notes, and texts from other writers, including Brazilian author Hilda Hilst and poet Emily Dickinson. The work reveals the violent process of writing as a confrontation with the mystery of one's own sexuality.
In this piece, Carolina Bianchi appears as a subject in dissolution: she presents herself through various writing alter egos, which allow her to shape her fantasies, particularly the fantasy of writing itself.
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Credits
Concept, text, direction and set Carolina Bianchi
The text contains an excerpt from the book “O Caderno Rosa de Lori Lamby”, by Hilda Hilst
With Rodrigo Andreolli, Larissa Ballarotti, Carolina Bianchi, Lucas Delfino, Joana Ferraz, Flow Kountouriotis, Fernanda Libman, Amanda Lyra, Danielli Mendes, Carolina Mendonça
Translation for subtitles Marina Matheus (English), Thomas Resendes (French)
Text revision Larissa Ballarotti
Dramaturg and research partner Carolina Mendonça
Technical direction, sound design and music Miguel Caldas
Assistant artistic director Murillo Basso
Scenography, costumes and graphic design Luisa Callegari
Lighting design Jo Rios
Video and screenings Montserrat Fonseca Llach
Inflatable Luisa Callegari, Carlos Delfino
Internship Thomas Médioni
Stage manager, production assistant AnaCris Medina
Production direction, tour management and communication Carla Estefan
International relations, production and distribution Metro Gestão Cultural (Brazil)
Production Metro Gestão Cultural (Brazil), Carolina Bianchi Y Cara de Cavalo
Coproduction KVS Koninklijke Vlaamse Schouwburg (Brussels), Theater Utrecht, Festival d’Avignon, Odéon–Théâtre de l'Europe (Paris), Festival d’Automne à Paris, Comédie de Genève, Biennale di Danza di Venezia, Wiener Festwochen (Vienna), Holland Festival (Amsterdam), Les Célestins – Théâtre de Lyon, Divine Comedy International Theatre Festival (Kraków), Kunstenfestivaldesarts (Brussels), HAU Hebbel am Ufer (Berlin), GREC Barcelona, Teatro Nacional de Catalunya (Barcelona) and Maillon, Théâtre de Strasbourg – Scène européenne
Residencies La Fabrica du Festival d'Avignon, KVS Brussels and Utrecht Theatre-NL
Support Tax shelter of the Belgian Federal Government, The Ammodo Foundation-NL